Two women are on the floor, one holding a gun and the other reaching for playing cards; both appear distressed or intense.
Performer lying on stage with a large screen showing a man's face in the background, in a dark theatre setting.
A promotional poster for Sabotage Theatre's production of "What all the Rabbits are Doing." The poster features a close-up of a woman's face, with a person in medical gloves touching her face near her eye. The woman has a nose ring and a serious expr
A man in a gray shirt standing next to an easel with a large sketchpad, speaking or performing on a dimly lit stage.
A man is crawling on a table in a dark room with red chairs around it, a notebook and papers on the table.
A man standing next to an artist's drawing board, holding a marker, looking intently at the drawing.
A man and a woman engaged in an intimate embrace on a dark wooden floor, with the man holding the woman close, their faces near each other, and the woman wearing dark clothing, while the man is dressed in lighter clothing. They are in a dimly lit roo

What All The Rabbits Are Doing

Raymond has a history of violent crime and has served two years in jail so far. However, his sentence takes an extraordinary turn when he is assigned to undertake life-drawing classes as part of a government programme. Marianna is his life model. Scrutinised by scientists and surveyed continuously by snipers, they become increasingly obsessed with their task. 

“It's unusual to walk into a play and be confronted with a naked girl, but that's exactly what awaits the audience in What all the Rabbits are Doing. However this is more than mere titillation: Zoe Hinks' play has a lot more up its sleeve.” **** British Theatre Guide 

2008 London, Edinburgh, Brighton